Smartphone Zombies

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Zombies eat brains. Smartphone zombies eat data.
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  • 100% Cotton Tees
  • Features & Details

    Men's & Women's Tees

    • Seamless rib at neck
    • Taped shoulder-to-shoulder
    • Double needle stitching
    • Tear-away label
    • Quarter-turned to eliminate center crease
    • 7/8” collar
    • Classic fit
    • The ULTIMATE cotton tee!
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    Hoodie

    • Heavyweight, durable fabric
    • 90% cotton/10% polyester blend
    • Ribbed cuffs and relaxed waistband to keep its shape
    • Low-pill fabric
    • Roomy front pouch pocket and hood
    • The ULTIMATE cotton hoodie!
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    Mug

    • Glossy, eye-catching print
    • Dishwasher friendly
    • High quality ceramic
    • Holds up to 12 oz. of liquid
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    Description

    Smartphones (contraction of smart and telephone) are a class of mobile phones and of multi-purpose mobile computingdevices. They are distinguished from feature phones by their stronger hardware capabilities and extensive mobile operating systems, which facilitate wider software, internet (including web browsing[1] over mobile broadband), and multimediafunctionality (including music, video, cameras, and gaming), alongside core phone functions such as voice calls and text messaging. Smartphones typically include various sensors that can be leveraged by their software, such as a magnetometer, proximity sensors, barometer, gyroscope and accelerometer, and support wireless communications protocols such as Bluetooth, Wi-Fi, and satellite navigation. Early smartphones were marketed primarily towards the enterprise market, attempting to bridge the functionality of standalone personal digital assistant (PDA) devices with support for cellular telephony, but were limited by their battery life, bulky form factors, and the immaturity of wireless data services. In the 2000's, BlackBerry, Nokia's Symbian platform, and Windows Phonebegan to gain market traction, with models often featuring QWERTY keyboards or resistive touchscreen input, and emphasizing access to push email and wireless internet. Since the unveiling of the iPhone in 2007, the majority of smartphones have featured thin, slate-like form factors, with large, capacitive screens with support for multi-touch gestures rather than physical keyboards, and offer the ability for users to download or purchase additional applications from a centralized store, and use cloud storage and synchronization, virtual assistants, as well as mobile payment services. Improved hardware and faster wireless communication (due to standards such as LTE) have bolstered the growth of the smartphone industry. In the third quarter of 2012, one billion smartphones were in use worldwide.[2] Global smartphone sales surpassed the sales figures for feature phones in early 2013.

    A zombie (Haitian French: zombi, Haitian Creole: zonbi) is a fictional undead being created through the reanimation of a human corpse. Zombies are most commonly found in horror and fantasy genre works. The term comes from Haitian folklore, where a zombie is a dead body reanimated through various methods, most commonly magic. Modern depictions of the reanimation of the dead do not necessarily involve magic but often invoke science fictional methods such as carriers, radiation, mental diseases, vectors, pathogens, scientific accidents, etc.[1][2] The English word "zombie" is first recorded in 1819, in a history of Brazil by the poet Robert Southey, in the form of "zombi".[3] The Oxford English Dictionary gives the origin of the word as West African, and compares it to the Kongo words nzambi (god) and zumbi (fetish). A Kimbundu-to-Portuguese dictionary from 1903 defines the related word nzumbi as soul,[4] while a later Kimbundu–Portuguese dictionary defines it as being a "spirit that is supposed to wander the earth to torment the living."[5] One of the first books to expose Western culture to the concept of the voodoo zombie was The Magic Island by W. B. Seabrook in 1929. This is the sensationalized account of a narrator who encounters voodoo cults in Haiti and their resurrected thralls. Time claimed that the book "introduced 'zombi' into U.S. speech".[6] Zombies have a complex literary heritage, with antecedents ranging from Richard Matheson and H. P. Lovecraft to Mary Shelley's Frankenstein drawing on European folklore of the undead. In 1932, Victor Halperin directed White Zombie, a horror film starring Bela Lugosi. Here zombies are depicted as mindless, unthinking henchmen under the spell of an evil magician. Zombies, often still using this voodoo-inspired rationale, were initially uncommon in cinema, but their appearances continued sporadically through the 1930s to the 1960s, with notable films including I Walked with a Zombie (1943) and Plan 9 from Outer Space (1959). A new version of the zombie, distinct from that described in Haitian folklore, has also emerged in popular culture during the latter half of the twentieth century. This "zombie" is taken largely from George A. Romero's seminal film Night of the Living Dead,[1] which was in turn partly inspired by Richard Matheson's 1954 novel I Am Legend.[7][8] The word zombie is not used in Night of the Living Dead but was applied later by fans.[9] The monsters in the film and its sequels, such as Dawn of the Dead and Day of the Dead, as well as its many inspired works, such as Return of the Living Dead and Zombi 2, are usually hungry for human flesh, although Return of the Living Dead introduced the popular concept of zombies eating brains. The "zombie apocalypse" concept, in which the civilized world is brought low by a global zombie infestation, became a staple of modern popular art.

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